refereed journal articles

  • Lo, Yuen-yi (2017). A drawing project and beyond – an artist’s project. In Visual Resources – An International Journal on Images and Their Uses, Volume 33, 2017, Issue 3-4, pp. 385-418. Print ISSN: 0197-3762 Online ISSN: 1477-2809 (HII; BHA; OCLC)

  • Lo, Yuen-yi (2016). Research praxis in drawing: the visible and the invisible “Chineseness” – An exploration through Chinese language and the matriarchal writing script, nüshu. In Journal of Contemporary Chinese Art, Volume 3 Numbers 1 & 2, pp. 153-1

  • Lo, Yuen-yi (2015). Drawing the visibility and the invisibility in a room – a personal essay. In Wasafiri, Vol. 30, No. 3, September 2015, pp. 24–33. (AHCI; AII; HII)

  • Lo, Yuen-yi (2014). Working through culture – a drawing practice with an old apron. In World Art, Fall, Volume 4, Issue 2, 2014, 137-156. (Anthropological Index)

  • Lo, Yuen-yi (2014). She is a fragment and a whole – a narrative of nüshu artefacts. In Australian Feminist Studies, Volume 28, Issue 78, 398-416. (SSCI)

  • Lo, Yuen-yi (2013). An (in)visible letter, a writing threading art practices across space and time. In Third Text, Vol. 27, No. 5, 2013, 689-704. (AHCI; BHI; HII)

  • Lo, Yuen-yi (2013). A practice of feminine sentence discoursing art. In Arts Review, No. 25, 35-60, Taipei National University of the Arts. (THCI; ACI)

  • Lo, Yuen-yi (2013). A room – traces of drawing, an installation and beyond. In Router: A Journal of Cultural Studies, Volume 15, 2012 Autumn, 454-473. (TSSCI)

  • Lo, Yuen-yi. (2012). She is one and all – writing nüshu, women’s script in an autobiography. In New Writing: the International Journal for the Practice and Theory of Creative Writing, Volume 9, Issue 3, 374-395. (HII; Rank A*, ERA Australian Research Council)

    Selected to be one of the 17 articles in New Writing 10th Anniversary Collection, Taylors & Francis Online. 2013.

  • Lo, Yuen-yi (2011). A practice of difference – uncovering women’s space with nüshu, women’s script. In The International Journal of the Arts in Society, Volume 5, 2011, 41-55. (Cabell’s Directory in Educational Psychology & Administration; Ulrich’s Periodicals Directory)

selected book chapters

  • Get Lost in All Directions. In Taiwan Step. Taiwan, 2014.
  • A Room – A Drawing Installation and Beyond, by Yuen-yi Lo. In The Yearbook of Ox Warehouse 2011. Macau: Ox Warehouse, 2013.
  • Artist’s Profile. In Hong Kong Eye: Contemporary Hong Kong Art. Eds. Serenella Ciclitira & Chang Tsong-Zung. Milan: Skira, 2013. -
  • Retrospective. In Ox Magazine. Ed. Tomas Tse. Macau: Ox Warehouse, 2012. -
  • She’s Silently Breaking the Silence. In Lily’s Graffiti Walls. Lau Lee-Lee. Taipei: Sunflower Publishing, 2011.
  • A Thinking Process Upon the Election of CEO. In What if 97 Ideal CEOs of Hong Kong, Roundtable & Friends, 2006.
  • Utterance. In Responses: Intercultural Drawing Practice. Ed. Chuhan, Jagjit. Liverpool: Liverpool Art School, 2001.
  • The Green is Always There. In Weeping and Laughing: Grannies’ Oral History. Tsang, Gar Yin et al. Hong Kong: Association for the Advancement of Feminism, 1998.
  • Rice with Garlic. In Eating and Drinking – Women’s Narratives. Ed. Kong, King Chu. Hong Kong: Stepforward Multi-media, 1997.

selected media writings

  • “Drawing the Writing”. Column writing in arts and culture, Hong Kong Mingpao, 2006-2009. -
  • A Room. In Journal Informacao Son Pou, Macau, September 30, 2011.